A 1967 Ricoh Singlex TLS – From an Antiques Shop to Street Photography

 

 

 

I like walking through antiques stores. A couple of weeks ago I came across a box where a pêle-mêle of old photography equipment and parts were thrown. Most were useless, except two cameras – a Yashica Electro and a Ricoh Singlex TLS. The Yashica was just the shell (someone had used the parts for repair) but the Ricoh looked in good shape. I recalled using that 1960s camera decades ago before the speeds got so erratic that I retired it to a display shelve.

Both cameras were without a lens and the inside of the Ricoh was filled with debris and the mirror almost opaque with dust and grime. The rewind was turning loose, and I noticed that the rewind release button was stuck due to a ding on the bottom plate the camera. So I could not test if the shutter was working. However, since the asking price was less than that of a cup of coffee, I picked it up.

A few days later I decided to take the base plate off and see if there were any ”insides” to the camera. To my surprise it was all there! So, it was time to go back in time and see if I can get a 60 year old camera work again.

With the dented base plate off, the release button popped out nicely. Now I could rewind, and cock the shutter. But the shutter did not release when pressed. Upon inspection, I realized that someone had tried to “repair” that camera and had bent the horizontal bar that triggers the shutter. However the bending had not worked since the plunger that pushes that bar was not touching the bar. I had repaired such issues before but knew that bending the bar can also upset its weight balance just enough to affect the timing of the speed dial. But at this point I just wanted to see if I can take on the challenge.

So after an hour of careful manipulation, I got the bar close enough so the plunger can touch the bar. And, the sweet sound of a Copal metal curtain came alive, as the camera did rewind, cock and fire again! For those who have used a Ricoh Simplex, that sound is unique and comforting, albeit very loud.

Finally, I tested the speeds, and after a few dozen rewinds all speeds seemed reasonably good to the ear. I blow dusted the inside getting fine debris to fly out, and lubricated all the moving parts.

Time to find a lens. I have a number of M42 mount vintage lenses from cameras I have used in the past 50 years. Among my favorites from the 1960-1970s screw mount M42s is the Asahi Super-Multi-Coated Takumar 55mm 1.8, a friend had given me along with his father's Honeywell Pentax camera. So, I loaded a roll of film and took my new camera for a test to a downtown Holidays Kids gathering.

Here is the Ricoh Singlex with the Takumar lens

 

Results

Kids were riding ponies and there was a carriage ride. I was more interested in testing the camera than capturing a moment in the streets. So, I tested the speeds using various light combinations.

The photo of the horses atop the page was taken at 1/1000 sec (which a rarely use) and f5.6 on that very bright mid-day. It seems like the speed is accurate enough, but it is more a testimony to the lens – a 50+ old lens accommodating the untested shutter!

This photo was to test both speed and aperture in a mix of shade and light. There are issues with the corners of the frame, but also a lovely 3D feel to the center of it. A bit of unintentional creativity.

 

The horses were trotting at a good pace and my 1/125 sec speed with a f8 aperture was not a good combination. Still the lines on the building are free of distortion.

 

Finally a nostalgic shot with Thumb Butte, the iconic 6,514 feet high natural landmark of Prescott in the background. This can be mistaken for a 1970s photo ….

 

So, was it worth spending time to rehabilitate an old camera found in a box in an antiques shop? For all who like to take their digital camera out and take dozens of pictures in a second, I assume not.

Yet, when that camera, its feel, the winding noise of the steel gears, and its loud metal curtain come alive, it is less about taking pictures but more about nostalgia. Just like the old camera sitting in a dusty box for decades, hearing the shutter trip, is for me a lovely trip in time.

 

December 25, 2023

© Vahé A. Kazandjian, 2023

 

PS/ I put a 1.35v battery to test the step-down meter but the needle did not move. I forgot to take the battery out, and a day later, when I flipped the switch again, just for fun, the meter was functional! I have seen this happen in early vintage cameras – some call it “capacitor freeze” when after decades of non use, the circuitry sort of hibernates, and can come back to life when electricity “warms it up”. But, I think it is the sliding of the switch up and down that cleans the oxidation and re-establishes current flow.

Holiday Parade 2023 Through a Nikon F3 HP, Prescott, AZ

 

I do not use cameras that function on a battery source. Exceptions are my 1969 Nikon F Photomic, the 1971 Nikon F2, and the 1980 Olympus OM. In all three cases, the batteries are only for the light meter, which I rarely use.

In 1984 I bought a 1982 Nikon F3 HP to see if I can discover the “wonders of electronic cameras.” It was a truly professional camera but on a trip to Asia, something happened with the circuitry and that marvelous machine became a paperweight. I always travel with a fully mechanical camera, so the 1950s Canon L1 rangefinder saved the day. However, I put the F3 on the shelve and forgot to have it checked. That was more than 20 years ago.

A month ago, I saw a box full of old camera parts in an antiques store. Looking through it I recognized the MD-4 winder made for the F3, with corrosion-free AA battery carrier inserted. I asked the lady if the winder works. She laughed:

“This is an antiques store, things are for collection only.”

The price was ridiculously low, so I thought I would mount it on my F3 to enhance its “antique” appearance.

Then, I recalled that the power supply from the winder was supposed to bypass the battery circuitry of the camera and make it run on the 6 AA batteries of the winder. A true genius of Nikon engineers perhaps anticipating a malfunction in the field that can be remedied by the winder.

So, 6 AA batteries and that sweet melody of the F3 shutter took me back decades.

… This weekend there was the Holiday Parade in Prescott, and I decided to test if my F3, sporting the venerable Nikkor 105mm 2.5 will perform again. I took photos using the camera as a manual one by setting the shutter speed and aperture (even though the shutter is triggered via battery power) and also by switching to the 40 year old technology of the Aperture Priority where I set the aperture and the camera’s digital brain chooses the “best” shutter speed.

Here is my 1982 Nikon F3 HP with the winder:

As for the negative development and printing process, I developed using my usual development/stop bath/fixer times, but when printing under the enlarger I overexposed the paper by 2 seconds. I always did so when using the Nikkor 105 for portraiture – I get a pronounced contrast of black, gray and white helping to create a more mysterious portrait even when taken in a studio.

Here are a few photos:

First, the one at the outset shows an outlier among the parade participants.  Wearing formal attire, his high wheeler gave a unique moment to my Nikkor 105. The overexposure under the enlarger accentuated the shades making him stand out as I had imagined when tripping the shutter.

This woman almost posed for me. I thought she might have noticed my old camera and perhaps that brought back memories of her F3 – not sure, but again it is an unscripted moment in the parade.

It is difficult to talk about Prescott, the cowboy city, without mentioning horses.

This photo followed a test of the Aperture Priority function of the F3. On a very bright and sunny day, I opened the lens to f5.6 and the shutter was set to 1/1000 sec. I like the marriage of opaque and translucidity. If nothing, the trainer of these young women who were twirling flags should be happy – their synchronization was excellent!

So it was a pleasant experience seeing how my 41 year old Nikon F3 HP came back to like with a winder I found in an antiques shop. Next time I will use a 50mm lens to have more framing latitude.

 

December 3, 2023

©Vahé A. Kazandjian, 2023