I was looking at Stefan Zweig’s “Decisive Moments in History” book (original
in1927, English translation by Ariadne Press, 2007) and as a street
photographer, was intrigued by the use of the term “Decisive Moment” often
attributed to Henry Cartier-Bresson. So I did a quick search and found that
there were numerous books, some written before the Bresson era, where those
terms were used. For example there is “The
Decisive Moment” by Arthur Maxwell (1940, Pacific Press, original in Czech),
“Turning Points: Decisive Moments in the
History of Christianity” by Mark A. Noll (Baker Pub Group, 1997), and “Decisive Moments in the History of Islam”
(2001, Goodword Books) among others.
Henry Cartier-Bresson would have not been surprised
by the widely universal concept of the “decisive moment” since he has stated
that “there is nothing in this world that does not have a decisive moment”. As
a photographer he applied this concept, in a split second, to find “… the precise organization of forms which
gives that event its proper expression”(1)
… So, I had his statement in mind when I took my
camera for a walk among people enjoying a sunny Saturday in June.
There were musicians attempting jazz improvisations,
kids chasing old dogs that wanted to just sleep in a shady corner, and elderly
men sitting on public benches wondering how the years went by. As I walked around,
I was attracted by a young woman doing acrobatics with a hula-hoop. She was gracious and seemingly oblivious to
the busy surrounding. She was in her own “zone”, looping around the hoop and
attempting various moves.
I watched her for a while and suddenly it occurred to
me that her acrobatics did not provide Cartier-Bresson’s “precise organization
of forms which gives that event its proper expression.” So, I decided to wait
for that moment – will it happen? And if so will I be able to click, in a split
second, to capture that proper expression?
I had my beloved 1960’s Nikkor-P 180mm lens to allow
me keep a certain distance without interfering with the flow of events. I was a
bystander, not a participant.
I did not know what I was looking for. Would it be
that a passer-by will be hit by the hoop she was throwing and catching? Would
she fall? Will a dog interfere with her acrobatics?
After a moment I realized that to give form and
movement to the moment I needed to capture that moment “framed” by the hoop.
Yes, the hoop would define the boundaries and would frame the moment.
With that in mind, I took a few split second
pictures. This one comes close to what I had in mind.
(1)Cartier-Bresson., H. 1952. The Decisive Moment. Simon and Schuster.
June 28, 2015
©Vahé A. Kazandjian, 2015
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