A few days ago I posted pictures of bucks in the
high desert of Arizona (1). I am not a nature photographer and a
fellow photographer posted this comment on my blog:
'Well
done Vahe! Here I thought you only photograph PEOPLE! That is a good example
what one can do with prehistoric equipment. But in the end it comes down
to.........who is behind the camera!'
… This morning when I sat down to have my coffee,
there was a grasshopper “stuck” upside down on the reverse side of the coffee
table’s glass top. We have a lot of grasshoppers this time of year so I ignored
it. But after a few minutes it moved just slightly and gave me the
uncomfortable feeling that it was watching every movement I made while sipping
on my coffee.
… And that reminded me that a few days ago I had
posted an essay on my literary blog where I mention David Carradine’s nickname
as “grasshopper” in the 1970s TV series “Kung FU” (2)
The synchronicity of the events seemed
interesting so I put my 1970s Nikkor 55 mm macro lens on my F3 and took a picture.
Soon after the grasshopper jumped away.
… When I printed the picture, I could not stop
smiling. Here is why:
First, this is the full picture (with enough noise
in it due to the desert dust to remind me it is time to wipe the glass top…)
As I looked at the less than technically good shot,
I noticed a familiar face. Here it is:
And for those who are not spatially adroit, here is
the cropped section.
Is there any doubt that this is a human face? This
is the perfect face of a man wearing glasses and a Genghis Khan moustache.
Plus, I can see him frowning at me given the arching of his eyebrows. And his
nostrils – these would make any plastic surgeon jealous!
So, did I take a picture of a grasshopper or of a
man? And while we are at it, isn’t it freaky? If I believed in
extra-terrestrial daily presence among us, I would say the grasshopper is much,
much more than an insect:
It is an alien vessel sent
to observe and report how a half asleep man drinks coffee at sunrise!!!!
August 26, 2015
© Vahé A. Kazandjian, 2015
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