I have walked through cities of death in Cairo, outside of
Paris and in India. But the most memorable necropolis remains the Recoleta
Cemetery in Buenos Aires. I have been there more than once and each time spent
an entire day walking through the labyrinth of mausoleums of stone and bronze,
all carrying the patina of time and Argentina’s history, surrounded by crying
angels, mourning widows holding their children at their breasts, amid moss-covered
cherubs dancing a macabre farandole. Each time I was there I was mostly
surrounded by silence and the dampness these final resting stony places keep.
Here is an ornate statue in front of a tomb. Moss had grown on the body of the child at left giving the somber statue an even solemn appearance. I took this picture in 2008 when I was there last.
Here is an ornate statue in front of a tomb. Moss had grown on the body of the child at left giving the somber statue an even solemn appearance. I took this picture in 2008 when I was there last.
A necropolis cannot be sunny and dry.
… A few days ago, I came across an envelope labeled “Eva Perón”.
Inside was a single roll of 35mm film negative seriously damaged during my many
moves since 1992, when I first visited Buenos Aires. I held the negative strip to the window and
recalled the day I spent in the Recoleta Cemetery. Interestingly, I had
developed the film strip but never printed the frames. May be because they were
not of living people I photograph in the streets. A cemetery is rarely the
first choice for a street photographer.
But with age I have come to discover much from stones and Rubenesque
crying angels. So, I decided to scan some of the frames since printing them in
my darkroom would have resulted in highly scuffed and scarred prints.
The cemetery, since
the historical figures of Argentina have their resting place there, is a touristic
attraction. Yet the times I have been there I have seen very few people walk
around. There seems to be two main attractions: Evita Perón’s mausoleum and the
tomb of José C. Paz, founder of La Prensa
newspaper. The latter is perhaps the most allegoric of the tombs: its white
stone structure does not yet have the patina of time and an angel atop the tomb
takes the soul to the heavens leaving the earthly body behind.
Evita is a superstar in the West, so I wanted to find her
mausoleum first.
It was not easy. Although I was told at the portico how to
get there, I soon got lost in the maze of the labyrinth. I recall being a bit frustrated and soon
overwhelmed by all the statues looking down at me. After all, one can survive
only so many crying angels! But at the same time I made a few discoveries which
to a photographer in search of a story were heaven in this death city.
First, many of the mausoleums were not maintained. When
there was glass on the door, it was often broken. To keep the privacy of the
tomb, wooden boards were placed making the structure even more desolate.
But, at least in one instance, I felt as an intruder into
the eternal peace of the tomb. Indeed, someone was cleaning the inside of the
mausoleum and had left the doors open. I recall my awe and surprise seeing a
pristine white marble statue of a woman holding a child as the cover of the
tomb. A quick click on my 1954 Canon rangefinder camera and I was able to
capture that scene along with the dusting feathers the cleaner had left in the
tomb. Even today after a quarter century, I feel a bit like an intruder.
Finally I found Evita’s mosauleum. It was not what I had
expected. There were no angels, there were no statues. Instead, it was one
mausoleum attached to others in a row that resembled the row houses in
Baltimore! Here is my first view of it:
There is a bronze plate on the far right of the above
picture designating Evita’s resting place. At closer look, there are in fact two
plates that look like this:
I was surprised by the inconspicuous tomb of a political and
historical Argentinean figure, and was intrigued to learn more about its
history.
Evita Perón died in 1952 and her embalmed body was put on
display inside a Buenos Aires trade union building with the promise of building
an extraordinary mausoleum for her. However the new government was worried
about the power upon the people Evita may have even after her death, so they
hid her embalmed body in secret places around Buenos Aires for almost 5 years!
More, Evita’s body was secretly taken to Milan in 1957 and buried there under a
false name, that of Maria Maggi… Then in 1971 Evita’s body was exhumed and
moved to Madrid and in 1974, her remains were returned to Buenos Aires. That is
where I found her in a row of tombs, with a small plate designating her resting
place.
Wow! What amazed me even more is that her tomb is actually a
fortified structure, as I suppose it is still feared that her remains may be
stolen…
… A small envelope written “Evita Perón” on it and a roll of
damaged 35mm film inside. Memories of my
first walk in the Recoleta Cemetery to find Evita. Few people around to alter
the peace of that necropolis surrounded by the lavish neighborhoods and
circulation arteries of Buenos Aires.
The last picture I scanned from that strip of film is this
one: perhaps all the dancing cherubs and crying angels go unnoticed when a man
and his dog need a quiet place to escape the hustle and bustle of Buenos Aires.
They come to the city of death, the Recoleta Cemetery.
September 25, 2015
© Vahé A. Kazandjian, 2015
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